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16 Feb
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CHRONOSTASIS

Franck Vigroux & Antoine Schmitt

[FRANCIA / FRANCE]

 

Quinta colaboración entre el artista sonoro Franck Vigroux y el artista visual Antoine Schmitt. Chronostasis es una ilusión cerebral que involucra a las neuronas que se ocupan de la predicción inmediata del futuro y de la escucha de la música. Aunque el tiempo, en Chronostasis, parezca detenerse, su carácter elástico posibilita el regreso al punto de partida. Estamos ante una performance que pretende arrastrar esta lógica hasta el extremo de sus posibilidades: dilatar al máximo un momento catastrófico. El presente se congela y se difracta interminablemente, y el pasado y el futuro dejan de existir.

Chronostasis is Vigroux and Schmitt fifth collaboration, it succeed to their worldwide acclaimed duo Tempest. Chronostasis state is a cerebral illusion involving the neurons dealing with the immediate prediction of the future and to the listening of music, during which time seems to stop. But time is elastic and a stretched elastic always returns to its initial length. The audiovisual performance Chronostasis takes this logic to its limits by dilating to the extreme a catastrophic moment, through the stretching and inversions of time over the whole duration of the performance. The present moment freezes and diffracts endlessly, past and future cease to exist. The piece is played live by the two interprets. Franck Vigroux playing music with electronic machines and Antoine Schmitt playing the image on a visual instrument written by himself. The two performers follow an open score in semi-improvisation and synchronize by the eye and the ear, for a performance that is always different.


 

TRACES OF EROSION

BROMO (Paloma Peñarrubia & Azael Ferrer)

[ESPAÑA / SPAIN]

BROMO es un proyecto integrado por Paloma Peñarrubia y Azael Ferrer. Ambos protagonizan un espectáculo audiovisual de arte digital que aglutina referencias al cine documental social, medioambiental y político, y que refleja aspectos relevantes de las migraciones y sus consecuentes erosiones. Más allá de la propia experiencia artística, su trabajo posee un lenguaje propio gracias a la utilización de música, documentos sonoros, textos o imágenes. Dentro de Madatac presentarán su trabajo Traces of erosion.

BROMO is a project integrated by Paloma Peñarrubia and Azael Ferrer. Both star in an audiovisual show of digital art that brings together references to documentary film social, environmental and political, and that reflects relevant aspects of migration and its consequent erosions. Beyond his own artistic experience, his work has its own language thanks to the use of music, sound documents, texts or images. Within Madatac they will present their work Traces of erosion.

 

Detalles

Fecha:
16/02/2019
Hora:
21:00 - 23:30
Precio:
28€
Categoría del Evento:
Web:
www.circulobellasartes.com/eventos/franck-vigroux-chronostasis/

Organizador

MADATAC X
Correo electrónico:
info@madatac.es
Web:
www.madatac.es

Local

Círculo de Bellas Artes
Alcalá, 42
Madrid, Madrid 28014 España
+ Google Map
Teléfono:
913184700
Web:
www.circulobellasartes.com/

Event

 

SOBRE MADATAC

 

MADATAC – Muestra de Arte Digital Audiovisual y Tecnologías Avanzadas Acontemporáneas-, es una plataforma internacional, independiente y sin fines de lucro para la cultura audiovisual de los nuevos medios. Con una filosofía abierta, enmarcada dentro de una apuesta universalista, pedagógica y de acceso libre, que pone especial énfasis en la innovación, la originalidad, el riesgo y la poeticidad de los proyectos audiovisuales enfocados hacia el arte experimental de los nuevos medios, tiene el objetivo de servir de laboratorio real, virtual e itinerante donde los artistas puedan presentar sus más recientes creaciones. Con ello se pretende apoyar y descubrir trabajos de investigación en este campo que emplean las nuevas tecnologías aplicadas al arte audiovisual y la nueva imagen en movimiento, reconociendo la excelencia creadora de aquellos artistas que fusionan, desde una perspectiva interdisciplinar, el mundo de la técnica con el de la imaginación, desafiando las narrativas convencionales, con el propósito de construir puentes planetarios entre artistas, audiencia y organizaciones volcadas hacia el arte más transformador. La máas reciente novedad de MADATAC es el lanzamiento de su Museo Virtual Transmadatac,  una multiplataforma en línea para arte audiovisual digital y tecnologías avanzadas aplicadas a New Media Art y a la Realidad Virtual, mediante una inmersión interactiva con gafas de realidad virtual (VR).

 

MADATAC bridges artistic relations and collaborations dedicated to give visibility, divulge, stimulate the creativity and productive capacity and strengthen the sustainability of audio-visual and video art in all its modalities (any processes of image-sound interaction, without exclusion of the experimental cinema), with the aim to offer a platform for all those emergent video artists, as well as to the consecrated artists, who contribute with renewing proposals, avoid conventional visual language and does not find their place in other mass media spaces. MADATAC is a non-profit and independent project that promotes a cultural diversity approach for cutting edge experimental audio-visual culture, that particularly values innovation, originality and risk-taking art projects, as well establish a meeting point where European and International new media and video artists, curators, collectors, critics, art dealers, cultural promoters and general audience can discover what is going on in this art fields and exchange experiences so to institute the foundation for a new concept of moving image art. The objective is to encourage the participation of citizens in the digital new media art culture and to promote the exchange of knowledge between professionals with collaborative projects which serve as a collective laboratory where artists can present their most recent creations to the greater public, as well to the trained members of the community, to attain a fruitful feedback between themselves and as a way towards an interaction with society. We established an understanding space that offer the necessary references towards where is heading the contemporary audio-visual art and the new moving image, reinforced by a Cyberculture & New Media Art Symposium, with master classes,
conferences, colloquies, debates, round tables, performances, technical short courses and workshops, given by the participants artists as well by recognized theorists and professionals of the
medium (as Brian Eno, Roy Ascott, Derrick de Kerchkove, Ryoji Ikeda, Lech Majewski, Reynold Reynolds, Claudia Gianetti, José Ramón Alcalá,), so that they can exhibit and can teach to the audience how they work, communicate their expectations, projects of future, or the approach they have or wish to have on the field in which they develop their creativity. On the other side, our activities are directed to new creative tendencies that evolve parallel to the technological advances in all
levels, as well stimulate the investigation and promotion of innovative digital projects applied to the arts, science and the mass media, trying to search a confluence between academic and experimental processes in order to create essentially projects based on the recognition of the innovating contribution. MADATAC ending project is the Transmadatac Virtual Museum,  an on-line interactive multi-platform for Audio Visual Art andm,Advanced Technologies applied to New Media Art.

Contacto

 

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